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Shadows Nearby, Galerie Thomas Zander, Cologne.
On this day, Hales Gallery, New York.
When We, Irish Museum of Modern Art, Dublin, Ireland.
Truly Spun Never, Hales Gallery, New York, NY.
If I Told Her, Hales Gallery, London, UK.
Collective Weave, Handwerker Gallery, Ithaca, NY.
To Those Who Have Eyes to See, SFMOMA, San Francisco, CA.
Gezeiten/Tides, Studiengalerie 1.357, Goethe Universität Frankfurt a. M., Frankfurt, Germany.
Truly Spun Never, Parque Galería, Mexico City, Mexico.
Travels on Slender Thread, The New Foundation, Seattle, WA.
Time Fold, Galerie Thomas Zander, Cologne, Germany
It's Time, She Said, Installation. Commissioned for the Opening of the new Whitney Museum, New York, NY.
Revolt, They Said. Museum of Modern Art, New York, NY.
Insistence, as part of the series "Contesting Terrain", Harn Museum of Art, University of Florida, Gainesville, FL.
Three Chants Modern, Portland Institute for Contemporary Art, Portland, Oregon
Sound Giving Will Feeling, presented by A Space Gallery and the Images Festival, A Space Gallery, Toronto, Canada
9 Scripts from a Nation at War (collaboration with Sharon Hayes, Ashley Hunt, Katya Sander and David Thorne). The Museum of Modern Art, New York
Criminal Case 40/61: Reverb. Siskel Film Center, Chicago (screening).
Comrades of Time. Galerie Thomas Zander, Cologne, Germany.
Solo presentation, Artforum Berlin, Galerie Thomas Zander, Cologne, Germany.
Criminal Case 40/61: Reverb. University Art Gallery / Room Gallery of UC Irvine's Claire Trevor School of the Arts, Irvine, CA.
Spiral Lands / Chapter 1 / Chapter 2 / Chapter 3 (with Simon J. Ortiz). Argos Center for Art and Media, Brussels, Belgium.
Andrea Geyer | Sharon Hayes. Göteborgs Konsthall. Göteborg, Sweden.
Out of Sorts. Landings, Oslo.
Andrea Geyer | Sharon Hayes. Kunstmuseum St. Gallen. St. Gallen, Switzerland.
9 Scripts from a Nation at War. REDCAT (Roy and Edna Disney/Calarts Theater), Los Angeles, CA.
Andrea Geyer. Galerie Thomas Zander, Cologne.
The past never changes. Galerie Hohenlohe, Vienna.
9 Scripts from a Nation at War. (collaboration with Sharon Hayes, Ashley Hunt, Katya Sander and David Thorne). TATE Modern, London.
Spiral Lands / Chapter 2. Lecture Modern Mondays, MOMA, New York.
Spiral Lands. A reading. Free Space. Chelsea Hotel, New York. (curated by Dean Daderko)
Citizenship: Changing Conditions. IASPIS. Stockholm, Sweden.
Parallax. Kunstverein St. Gallen im Katharinen. St. Gallen, Switzerland.
Meaning is what hides the instability of one's position. Kunstmuseum Esbjerg. Esbjerg, Denmark. (with Katya Sander) cat.
Secession. Vienna, Austria. cat.
Cambio de Lugar_Change of Place (with Sharon Hayes). Galerie Signal, Malmö, Sweden.
o.T. Raum für aktuelle Kunst. Luzern, Switzerland.
Ortswechsel. Plattformen und Galerie Paula Böttcher. Berlin. (with Sharon Hayes)
Fantasies are feelings given form. Don't worry, they are safe if understood. Parlour Projects. Brooklyn, NY.
Information Upon Request. Galerie Paula Böttcher. Berlin, Germany.
Information Upon Request. Galerie T-19. Vienna, Austria.
Project space. P.S.1 Contemporary Art Center. Long Island City, NY. (with Sharon Hayes)
Cambio de Lugar_Change of Place. La Panaderia, Mexico City. (with Sharon Hayes, curated by Michele Faguet)
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European Trails. H2 – Zentrum für Gegenwartskunst im Glaspalast, Augsburg, Germany
disorienting plans. Aronson Gallery, The New School, New York
in between, ours. Hales Gallery, New York, NY.
New Time: Art and Feminisms in the 21st Century. Berkley Art Museum, Berkley, CA.
Kindred Solidarities: Queer Community and Chosen Families. Shelley & Donald Rubin Foundation, New York.
My Body My Rules. Pérez Art Museum Miami, FL.
Books. Galerie Thomas Zander, Cologne, Germany.
the rest of history. Virginia Museum of Contemporary Art, Virginia Beach, VA.
Where Oceans Meet. Miami Dade College Museum, Miami, FL.
Overflow. The Galletin Galleries, NYU, New York, NY.
Resist: be modern (again). John Hansard Gallery, Southampton University, England.
Podría Ser (Una Flecha): Una Lectura De La Colección Jumex. Jumex Foundation, Mexico City, Mexico.
Power Ts 2018, Pierogi, New York.
Cast of Characters, The Bureau of General Services-Queer Division, New York, NY.
Lack of Location is my Location. Clinton & Koenig Gallery, New York. < br/>
Anger Management, Brooklyn Museum, Brooklyn, NY.
Natural Histories: Traces of the Political, MUMOK, Vienna, Austria.
How Long Is Now?, KINDL – Centre for Contemporary Art, Berlin, Germany.
VOICE=SURVIVAL, The 8th Floor, New York, NY.
Photo Kinetics, Museum der Moderne, Salzburg, Austria.
How Long Is Now?, KINDL – Centre for Contemporary Art, Berlin, Germany.
Critical Aesthetics: The First 10 Years, University Art Gallery, Claire Trevor School of Fine Arts, Irvine, CA.
Everything Happens Somewhere – Landschaftsstrategien, Galerie Thomas Zander, Cologne, Germany.
Kunst-Musik-Tanz, Museum der Moderne, Salzburg, Austria.
Time / Image, Krannert Art Museum, Champaign, IL.
Emphasis Repeats*, Hessel Museum of Art, Annandale-On-Hudson, NY.
Kunst-Musik-Tanz, Museum der Moderne, Salzburg, Austria.
Emphasis Repeats, Hessel Museum of Art, Annandale-On-Hudson, NY.
Rewriting Histories, Fotografisk Center, Copenhagen, Denmark.
Time / Image, Blaffer Art Museum, Houston, TX.
Inaugural Exhibition. Parque Galeria, Mexico City, Mexico.
Sebald Variations, Centre de Cultura Contemporània de Barcelona, Barcelona, Spain.
Dancing Foxes Press Benefit Exhibition. Bridget Donahue Gallery, New York, NY.
West Space Journal Release. Melbourne Art Book Fair, National Gallery of Victoria, Melbourne, Australia.
Grounding Future Queer, Sheila Johnson Design Center, Parsons The New School for Design, New York.
Pierogi XX: Twentieth Anniversary Exhibition, Pierogi, New York, NY.
Art/Histories, Museum der Moderne Salzburg, Salzburg, Austria.
Palace Revolution, Galveston Arts Center, Galveston, TX.
More Real Than Real Itself, Contemporary Art Museum Houston, Houston, TX.
Dealing with… Short Film Program curated by Marc Glöde, Art Basel, Germany.
A VOICE OF ONE’S OWN – On Women’s Fight For Suffrage And Human Recognition, Malmö Konstmuseum,
Malmö, Sweden.
Unsettled Landscapes, SITE Santa Fe, Santa Fe, NM.
STAGE SET STAGE: On Identity and Institutionalism, SBC Gallery, Montreal, Canada.
Mix NYC: 26th Annual Queer Experimental Film Festival, New York, NY.
FIAC (Foire Internationale d'Art Contemporain) CINÉPHÉMÈRE, Screening: Insistence, Paris, 2013.
Against Method: The Collection Seen by Gertrud Sandqvist, Generali Foundation, Vienna Austria.
Decenter: An Exhibition on the Centenary of the 1913 Armory Show, Abron Arts Center-Henry Street Settlement, New York, NY.
[Traveled to: Luther W. Brady Art Gallery, George Washington University, Washington, D.C., 2013.]
Nur hier. Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany. cat.
Where Do We Migrate To?, [Traveling exhibition], curated by Niels Van Tomme, Stanlee & Gerald Rubin Center for The Visual Culture at the University of Texas, El Paso, Texas. (cat.)
The Famous Fem(inists): Disobedience, Screening: Criminal Case, Curated by Hanna Wilde and Johan Norling, Eggeby Gård, Järvafältet, Stockholm, Sweden.
Wordy Rappinghood, Bureau Publik, Copenhagen, Denmark.
The One Minute Film Festival 2003-2012, organized by Moyra Davey and Jason Simon, Mass MoCA, North Adams, Massachusetts.
Stage It! (part one). Stedelijk Museum Amsterdam, Netherlands.
Spiral Lands (Chapter 1 and 2), Taipei Biennial, Taipei, Taiwan.
Contours of the Common. Centre for Contemporary Art Derry, Londonderry, Ireland.
Permission for the Revolution, Off Limits, Madrid, Spain
Comrades of Time (performance). curated by Arika as part of the 2012 Whitney Biennial, Whitney Museum of American Art, New York.
Where Do We Migrate To?, [Traveling exhibition], curated by Niels Van Tomme, Sheila C. Johnson Design Center at Parsons, The New School for Design, NY.
[Traveled to: Contemporary Art Center, New Orleans, 2012].
Habla. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.
Celebration of the Body #2: History of Art in the Age.... University Lumière Lyon 2, Lyon, France.
True Stories: Scripted Realities. Govett-Brewster Art Gallery, New Zealand.
ARIKA. Episode 3: Copying Without Copying.Tramway, Glasgow, Scotland.
Space Set/Set Space. collaboration with Sharon Hayes for her solo show at Whitney Museum of American Art, New York.
Infinite Repetition of Revolt. collaboration with Josiah McElheny for “Josiah McElheny: Some pictures of the Infinite,” The Institute of Contemporary Art, Boston.
Walking Forward, Running Past. Art in General, New York.
Kindred Spirits. Galerie Peter Blum, New York.
Cut. Galerie Thomas Zander, Cologne, Germany.
Push and Pull(with Josiah McElheny). MuMOK, Vienna, Austria (curated by Barbara Clausen).
Push and Pull (with Josiah McElheny). TATE Modern, London, Great Britain (curated by Barbara Clausen).
No Man's Land. Montehermoso Cultural Centre, Spain.
Schon Wieder. Kunstverein Medienturm, Graz, Austria.
Where Do We Migrate To? [Traveling exhibition], curated by Niels Van Tomme. Center for Art, Design and Visual Culture, University of Maryland, Baltimore, MD. (cat.)
Nobody's Property: Art, Land, Space, 2000-2010. Princeton University Art Museum.
To the Citizens. Serralves Museum. Porto, Portugal, cat.
Go West. Salt Lake Art Center, Utah.
Artforum. Berlin, Germany.
Those Who Control the Past Command the Future – Those Who Command the Future Conquer the Past. Signal, Sweden.
Where Everything Is Yet to Happen. Banja Luka, Bosnia-Herzegovina.
Push and Pull. Museum of Modern Art, Vienna, Austria.
29ª Bienal de São Paulo. São Paulo, Brazil, cat.
Bucharest Biennial 4 (curated by Felix Vogel). Bucharest, Romania, cat.
Behind the Fourth Wall. Fictitious Lives – Lived Fictions, Generali Foundation, Vienna, Austria.
50 Artists Photograph The Future, Higher Pictures (curated by Dean Daderko). New York, NY.
First Nations / Second Nature. SFU Contemporary Arts, Simon Fraser University, Vancouver, British Columbia.
Revisiting Histories: Sanford Biggers + Andrea Geyer & Simon J. Ortiz. Lambent Foundation, New York, cat.
Monument Transformace City Gallery Prague, Czech Republic.
Rotte Metropolitane. Florence, Italy.
AVANT-GUIDE TO NYC: Discovering Absence. Apex Arts, New York, NY. (curated by Sandra Skurvida).
FREE AS AIR AND WATER. The Cooper Union, New York, NY.
Heaven. Athens Biennal. "World Question Center", Athens, cat. (curated by Chus Martinez).
Everything has a Name or the Potential to being named. Gasworks, London.
Still / Moving / Still. Photofestival Knooke, Netherlands.
Drifting Histories. Hessel Museum. Bard College, NY (curated by Anais Lellouche).
When Absence Becomes Presence. Washington Project for the Arts, Washington, DC.
T2-50 Moons of Saturn, Torino Triennale. Castello di Rivoli Museo d’Arte Contemporanea, Torino, Italy. (curated by Daniel Birnbaum)
Zones of Conflict. Pratt Manhattan Gallery, New York, NY. (curated by TJ Demos)
2 x [ ( 2 x 20) + (2 x 2) ] + 2 = X x (desperately) trying to figure out the world. Mai 36 Galerie, Zürich, Switzerland and Brooke Alexander Gallery, New York, NY. (curated by Konrad Bitterli)
Ours: Democracy in the Age of Branding. Sheila C. Johnson Design Center, Organized by Parsons The New School and The Vera List Center for Art and Politics, New York, NY. (exhibition and performance, curated by Carin Kuoni)
The Activist Impulse. Women & Their Work, Austin, Texas. (curated by Regine Basha)
Zagreb Queer Festival. Zagreb, Croatia. (organized by Leonida Kovac)
The Greenroom: Reconsidering the Documentary and Contemporary Art. CCS Galleries and Hessel Museum of Art, Bard
College, Annandale-on-Hudson, NY. (curated by Maria Lind)
Field Work 1. Smart Project Space, Amsterdam.
War Stories. Mass Art, Boston.
Headlines & Footnotes. Henie Onstad Kunstsenter, Oslo.
“Nicht Alles Tuen.” Ziviler und Sozialer Ungehorsam an den Schnittstellen von Kunst, radikaler Politik und Technologie. Kunstraum emyt, Berlin und Galerie IG Bildende Kunst, Wien.
Spatial Justice. Los Angeles Contemporary Exhibitions. Los Angeles, CA.
Brave Lonesome Cowboy. Kunstmuseum St. Gallen. St. Gallen, Switzerland. cat.
documenta12. Kassel.
Exile of the Imaginary. Politics / Aesthetics / Love. Generali Foundation. Vienna, Austria. (curated by Juli Carson)
Kunstraum Lüneburg. Glucksman Gallery, Cork, Ireland Open Space. Art Köln, Köln, Germany
The Look of Law. University Art Gallery UC Irvine, USA. (screening)
Knowing you/Knowing me. Camera Austria. Graz
Cooling Out. On the paradox of feminism. Kunsthaus Baselland, Switzerland.
If a cat gives birth to kittens in an oven, are they kittens or biscuits? Roebling Hall, Brooklyn. (curated by Dan Daderko)
Re_dis_trans. Voltage of Relocation and Displacement. Apex Art, New York City. (curated by Aniko Erdosi)
When Artist Say We. Artist Space. New York.
Low-Intensity Conflict. Swiss Institute of New York. (screening) (curated by Alice Cantaluppi)
Der Raum zwischen zwei Bildern. Galerie Fotohof. Salzburg, Austria. (curated by Anita Witek/ Gregor Neuer)
looking at america. Galerie Hohenlohe. Vienna.
Information Tranformation. ExtraCity, Antwerp, Belgium.
re:site Montréal. Oboro, Montréal, Canada.
Be what you want but stay where you are. Witte de With, Rotterdam. (curated by Roger M. Buergel and Ruth Noak)
Patriot. Contemporary Museum. Baltimore.
e-flux Video Rental. New York, Berlin.
Regierungen. Paradisische Handlungsräume. Secession. Vienna. cat.
How do I want to be governed? (figure and ground), Miami Art Central. cat. (curated by Roger M. Buergel and Ruth Noak)
Indentify. Studies on the Political Subject. Vera List Center for Arts and Politics. New York.
Me, Myself and I. Kunstmuseum St. Gallen. St. Gallen, Switzerland.
Teasing Minds. Kunstverein München. München, Germany. (curated by Maria Lind)
External Affairs. PS122 Gallery. New York.
The Freedom Salon. Deitch Projects. New York.
Open House. O.K. Center. Linz, Austria cat.
Gelebte Bedingungen. Kaskadenkondensator. Basel, Switzerland. (curated by Alice Cantaluppi)
The American Effect. Whitney Museum of Amerian Art. New York. cat.
Western. Terms of Use. Charlottenburg. Copenhagen, Denmark.
Between Spaces. Centro Cultural Andratx. Mallorca, Spain. traveled to Galerie Asbæk, Copenhagen, Denmark.
Usted está aquí (You are here). Espacio La Rebeca, Bogotá.
Opening. Andrew Kreps Gallery. New York.
On Route. Serpentine Gallery. London, Great Britain. cat.
Organisationen. Skuc Gallerija. Lubijana, Slovenia. (curated by Roger M. Buergel and Ruth Noak)
Hausordnung. Stadthaus Ulm. Ulm, Germany. (curated by Katrina Menzel, Antje Krause-Wahl)
Manifesta4. Frankfurt, Germany.
Over the Moon. Große Gefühle zwischen Inszenierung und Authentizität.
Künstlerhaus Bethanien, Berlin, Germany. (with Ulrike Feser)
Preisträger des Medienkunstpreises, Kunstadapter 2002. Kunstverein Wiesbaden. Wiesbaden, Germany.
Social Sectors. Kunsthalle Exnergasse. Vienna, Austria. cat.
The Captain's Road. Dublin, Ireland.
Stepping Back, Moving Forward. Pittsburgh Center for the Arts. (curated by William Stover)
The Subject and Power (the lyrical voice). Central House of Artist. Moscow, Russia. (curated by Roger M. Buergel)
Unconsciuos Documentaries. von Lintel&Nusser Gallery. New York. (curated by Paul Ha)
Selections. LFL Gallery. New York. (curated by Dean Daderko)
Open Studio. Whitney Independent Study Program. New York.
Architorture. White Columns. New York. (curated by Paul Ha)
Raumgrenzen.Spacelines. Raum 1 / Galerie Hubert Winter. Vienna, Austria. (curated by Barbara Clausen)
Office. Staff Gallery. New York. (curated by Regine Basha)
Parking. Maydayproduction. Highbridge Park, New York.
Andrea Geyer, Tim Maul, Clara Williams. Gallery Pierogi 2000. Brooklyn, NY. (curated by Tim Maul)
A streetwalk named desire. Kunstraum Luzern. Switzerland.
Archive. Christchurch, New Zealand.
Kunst Preis der Sparkasse Recklinghausen. Recklinghausen, Germany.
Hjem. Architecture Space. Gammeldock, Copenhagen, Denmark.
Kiosk. Downtown Artsfestival. New York.
Ulrike Feser, Andrea Geyer, Wolfgang Stahr. Galerie Conrads. Düsseldorf, Germany.
Citylimits. Stoke on Trent. Great Britain.
Groupshow. Museum für Fotografie. Braunschweig, Germany.
Mixed Pickels. Kunstverein Aurich. Aurich, Germany. cat.
Prometheus. Kunstverein Herford. Herford, Germany. cat.
Reinhardt Wolf- Preis. Museum für Kunst und Gewerbe. Hamburg, Germany.
Spinning ideas- a room. Gallery LEKRI. Gent, Belgium.
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Creative Time Global Residency: Notes From the Field, Monday, April 21, 2014. Joe’s Pub, New York
Artist Talk. PSU MFA Studio Lecture Series. Wednesday, April 16, 2014. Portland Institute for Contemporary Art, Portland, Oregon
Artist Talk. Thursday, April 3, 2014. Smith College, Northampton, Massachusetts
Artist Talk, in conjunction with the Images Festival, Images Hub / Urbanspace Gallery, Toronto.
Mining The Archives for a Feminist Pre-History. Presentation and discussion with Sabine Breitwieser in conjunction with The Feminist Art Project and College Art Association. Saturday, February 16, 2013. The Brooklyn Museum.
Poetics of Anxiety and Security: the Problem of Speech and Action in Our Time, Conference in collaboration with Birkbeck, School of Law and The Birkbeck Institute for the Humanities. Serpentine Gallery, London
How Can Art Effect Political Change? Panel Discussion presented by apexart and Vera List Center for Art and Politics. October 2, 2012. The New School, New York.
Things Have Changed. Art Practice, Activism, and Pedagogy: Some Feminist Views. April 5th, 2012. Parsons the New School for Design.
Notes on Lilly Bliss, Mary Sullivan and Abby Rockefeller. Women Make Modern. April 5th/6th, 2012. Art History Department. Yale University, New Haven.
History from Within. The Core Lecture Series. April 6, 2012. Glassell School of Arts, The Museum of Fine Arts, Houston, TX.
9 Scripts from a Nation at War. Modern Mondays. April 30, 2012. Museum of Modern Art, New York.
Spiral Lands: Un-learning Visual Regimes. May 6th, 2012. Frieze Art Talks, Frieze Art Fair, New York.
Spiral Lands: Un-learning Visual Regimes. Essentially Indigenous? National Museum Of the American Indian. May 6th, 2011. New York.
The Infinite Repetition of Revolt: Conceptual Art as Memory, Panel on Conceptualism-as-Medium: The Poetics of Critique, College Art Association (CAA), New York.
Feminism/Nationalism, Brussels, Belgium.
Conversations with Contemporary Artists. Moderated by Glenn D. Lowry. March 31, 2010. Museum of Modern Art, New York.
Enemy Combatant Status Review Tribunals. (with Sharon Hayes and Ashley Hunt) Human Rights Conference: Confronting Images and Testimonies. March 4th, 2010. Wexner Center, Columbus, OH.
Solemny Proclaimed. Art Matters Now. October 17th, 2009. Art Matters Foundation, New York.
Criminal Case 40/61: Reverb. Revolutions in Public Practice, Panel on Activating Public Memory. September 16th, 2009. Creative Time Summit at the New York Public Library, New York.
Transpedagogy, May 15, 2009. Think Tank at The Museum of Modern Art, New York.
Zones of Conflict, Symposium Image Wars: Conflict, Media, Globalization, January 30th, 2009. Pratt Manhattan Gallery, New York.
Unreal Asia, Panel on The Spectre of the Avant-Garde, May 3rd, 2009. International Film Festival, Oberhausen, Germany.
Land Grab. Workshop on Strategies of Occupation: Grabbing Land and the Political Agency of the Artist, Apex Art, New York
"Queen of the Artists' Studios: The Story of Audrey Munson. Intimate Secrets of the Studio Life Revealed by the Most
Perfect, Most Versatile, Most Famous of American Models, Whose Face and Figure Have Inspired Thousands of Modern
Masterpieces of Sculpture and Painting" (Publication Artist Book)
The Artist as a Public Intellectual? Akademie der Künste in collaboration with the Friends
of the Secession, Vienna. (contribution to publication)
I beg your Pardon, or the Reestablishment of Cordial Relations. Exhibition organized at the Vera List center for Arts and Politics, The New School.
Working. A conversation between Andrea Geyer, Sharon Hayes, Ashley Hunt, Maryam Jafri, Kara Lynch, Ulrike Müller,
Valerie Tevere, David Thorne and Alex Villar. published on http://www.artwurl.org/aw_interviews.html
Professor. Malmö Art Academy. Sweden.
Indentify! or studies to the Political Subject. Exhibition organized at the Vera List center for Arts and Politics,
The New School. (lecture)
The Artist as an Intellectual? Akademie der Künste in collaboration mit Secession, Vienna. (contribution)
Go heal yourself. The Flick Collection will be closed. Hebbeltheater, Berlin.
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Musser, Amber Jamilla. Kindred Solidarities: Queer Community and Chosen Families. (New York: The 8th Floor, 2022), p.10-11.
DiQuinzio, Apsara, et al. "Andrea Geyer," in New time: art and feminisms in the 21st century, (Berkeley: Berkeley Art Museum and Pacific Film Archive, 2021), p.106-107. Culpan, Daniel. "Andrea Geyer" in Frieze (online). February 1, 2018.
Epps, Philomena. "Andrea Geyer: If I Told Her” in Elephant (online), January 31, 2018.
Gotthardt, Alexxa. “This Artist’s Mission Is to Uncover the Art World’s Forgotten Women” in Artsy (online). January 24, 2018.
Hotchkiss, Sarah. "At SFMOMA, Andrea Geyer Taps into Founding Principles of the Museum," KQED Arts (online), kqed.org, March, 7 2017.
Matthew J. Abrams, “The Stettheimer Set,” in Even, (Issue 7, Summer 2017) p.78-97.
Moten, Fred. The Service Porch. (Tucson, Arizona: Letter Machine Editions) p. 119-120.
Arozqueta, Claudia. “Andrea Geyer’s ‘Truly Spun Never’” in Art Agenda (online), http://www.art-agenda.com, March 2, 2016.
Graves, Jen. "Andrea Geyer Redraws the Maps of Women Erased from Art History at the New Foundation" in The Stranger: SLOG (online), January 11, 2016.
Buckley, Brad, and John Conomos. Erasure: The Spectre of Cultural Memory. (Fairingdon, Oxfordshire: Libri Publishing) p. 19, 26-29.
Griffith, Phillip. "Walid Raad and Andrea Geyer" in The Brooklyn Rail, December 9, 2015.
Campbell, Andrianna. "Andrea Geyer" in Artforum, 500 Words, November 11, 2015.
Gopnik, Blake. “At MoMA, Andrea Geyer’s ‘Insistence’ That Women Be Heard,” in artnet news, November 3, 2015.
Greaney, Patrick. “Rescuing the Past: Repetition and Reenactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes,” Postscript: Writing After Conceptual Art, ed. by Nora Burnett Abrams and Andrea Andersson (Toronto: University of Toronto Press) (forthcoming)
Tang, Jeannine. “Look Again: Subjectivity, Sovereignty, and Andrea Geyer’s Spiral Land” in Critical Landscapes, (Oakland: University of California Press)
Breitwieser, Sabine. “Andrea Geyer” in Art/Histories, Museum der Moderne Salzburg, Austria. (catalogue)
Daderko, Dean. “Fast Forward,” in More Real Than Reality Itself, Contemporary Arts Museum Houston, Texas. (catalogue)
Carson, Juli. “Faces of Consciousness: Repetition and Time,” in Erasure: The Spectre of Cultural Memory, edited by Brad Buckley and John Conomos, (Oxfordshire, England: Libri Publishing Ltd., 2014).
Hopkins, Candice. “Andrea Geyer. Spiral Lands” in Unsettled Landscapes, SITE Santa Fe, Santa Fe, New Mexico. (catalogue)
Breitwieser, Sabine. “Taking Part in the Museum” in Afterall, Autumn/Winter 2013.
Juli Carson, “Das Populäre und das Konzeptuelle,” in A Book about Collecting and Exhibiting Conceptual Art after Conceptual Art, (Wien: Generali Foundation, 2013) p.441-445.
Giovanna Zapperi, "Woman's Reappearance: Rethinking the Archive in Contemporary Art—Feminist Perspectives," Feminist Review, Issue 105, November 2013, p. 38-45.
Jamie Hanton, "True Stories / Scripted Realities,"Circuit: Artist Film and Video Aotearoa New Zealand,January 2013.
Claire Bishop, “Digital Divide: Contemporary Art and New Media” in Artforum, September 2012.
Lawrence McDonald, "Expanding Video.True Stories: Scripted Realities." Illusions: New Zealand Moving Image and Performing Arts Criticism, Issue 43/44, September 2012, 65-69.
Franic Hunger, "Andrea Geyer: Comrades of Time," Nothere, http://nothere.irmielin.org, 2012.
Karen Rosenberg, “Homages and Soapboxes Mix and Mash It Up: Sharon Hayes Solo Show at the Whitney, The New York Times, June 28, 2012.
John Hurrell, “Art Production as Film Set,” eyecontactsite.com, April 16, 2012.
Marcelline Block, “The Aesthetics of Migration,” Afterall (online), May 30, 2012.
Juli Carson, "Aesthetics of Repetition: A Case for Oscar Masotta," X-TRA, volume 14, number 3, Spring 2012.
Catherine L. Benamou, "Andrea Geyer: Criminal Case 40/61: Reverb," X-TRA, Volume 13, Number 4, Summer 2011, 34-41.
Niels Van Tomme, "Where Do We Migrate To?," in Issues in Cultural Theory #14, ed. Niels Van Tomme, University of Maryland, Center for Art, Design and Visual Culture, Baltimore (cat.)
Juli Carson, “Criminal Case 40/61: Reverb,” in The Limits of Representation: Psychoanalysis and Critical Aesthetics, (Argentina: Letra Viva, 2011) p.179-184.
To the Citizens. Serralves Museum. Porto, Portugal (cat.)
29ª Bienal de São Paulo. São Paulo, Brazil (cat.)
Bucharest Biennial 4 (curated by Felix Vogel), Bucharest, Romania (cat.)
Andrea Geyer/Sharon Hayes, Kunstmuseum St.Gallen, Kehrer Verlag, Nürnberg (cat.)
Leeb, Susanne, Antiromantic Conceptualism: Uber “Spiral Lands/Chapter 1” by Andrea Geyer,Texte Zur Kunst, March 2009, Issue 73.
Geyer, Andrea and Janet Catherine Berlo. Spiral Lands / Chapter 1. Cologne: Galerie Thomas Zander; Vienna: Galerie Hohenlohe; London: Koenig Books, 2008.
"Queen of the Artists' Studios: The Story of Audrey Munson. Intimate Secrets of the Studio Life Revealed by the Most
Perfect, Most Versatile, Most Famous of American Models, Whose Face and Figure Have Inspired Thousands of Modern
Masterpieces of Sculpture and Painting" (Publication Artist Book)
Geschichten Erzählen und übersetzen. Cynthia Chris. Springer. Band XIII Heft 4 –Herbst 2007. Austria.
Changing the Subject. Julia Brian Willson. Artforum. October 2007, New York.
Documenta12. Kassel, Germany. cat.
Documenta12. Picture Book/contributing photographer. Kassel, Germany.
Brave Lonesome Cowboy. Kunstmuseum St. Gallen. St. Gallen, Switzerland. cat.
Exile of the Imaginary. Politics / Aesthetics / Love. Exh.Catalogue. Generali Foundation. Vienna, Austria. (curated by Juli Carson)
Regierungen. Paradisische Handlungsräume. Secession. Vienna. cat.
Starship. From the notebooks: Audrey Munson.
Space Program. Lower Manhattan Cultural Council.
Scapes. Basic Cartography. (Notes. September 2004)
The American Effect. Exh.Catalogue. Whitney Museum of Amerian Art. New York. cat.
Andrea Geyer. Secession, Vienna. cat.
On Route. Serpentine Gallery. London, Great Britain. cat.
Medienkunstpreis. Kunstadapter, Wiesbaden.
Social Sectors. Kunsthalle Exnergasse, März 2002. cat.
Charley. Les Presses du Réel/Janvier.
Künstlerprotraits: Andrea Geyer. Frankfurter Rundschau. July 15th, 2002, Kulturspiegel.
Manifesta catalogue, Shortguide. Frankfurt. cat.
Justify my Love: Andrea Geyer, Cecily Brown, Dorit Margreiter, Stefan Ettlinger. Martin Conrads / Ulrich Gutmair.
Texte zur Kunst #42, Berlin. p. 102
At a Remove, William Stover. Zeitschrift des Center for Photography, Woodstoock, p.1
Verorte mich, ich bin ein Zeichen, Nicolas Siepen. Frankfurter Allgemeine Zeitung, 20.03.2001. p.BS6
Information Upon Request, Andrea Geyer. Christa Senzer. Springerin, Band 7, Heft 1/01, Wien.
Frauenhäuser, Particia Grzonka. Profil, 12.2.01, profil7. Vienna, Austria.
Andrea Geyer, Galerie T-19, Nicole Scheyerer. 2.2.01, Falter 5/01 Vienna, Austria.
Andrea Geyer, Galerie T-19, Florian Steininger. artmagazine Vienna, Austria.
Die Konstruktion der Weiblichkeit. Susanne Rohringer. ORF, online. Vienna, Austria.
Cambio de Lugar_Change of Place. Maryam Jafri, Writersproject PS1, Long Island City, NY.
Translating the Question of Feminism: Cambio de Lugar, Change of Place. Kimberly Lamm.
Writers project. PS1. Long Island City, NY.
International Studio and Curatorial Program. New York. (6 month participation)
leave yourself the margin of the undefined. Texts by Gregory Volk and Merete Ahnfeld-Mollerup.
catalogue, Braunschweig. (collaboration with Florian Wüst)
supported by Kuturbehörde der Stadt Braunschweig.
Atelierrundgang. 138 Düsseldorfünstlerinnen. supported by Kulturministerium, Nord Rhein Westfalen, Germany. (CD Rom)
Therapieräume. Zeit Magazine, Germany.
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